Posts Tagged ‘ london calling! ’

disappearing and breaking\/\/remembering the past

March 24, 2010
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disappearing and breaking\/\/remembering the past

Performance is often labeled a disappearance.  By the time it’s happening, it’s already done.  The moment performed is always already in the past.  My present performance has already happened.  And sure, we can wax philosophical all day long about such a statement but it feels like it’s just another way to say that it’s really hard to talk about what performance is.  Performance scholar Richard Schechner says that performance is “restored behavior,” that when we perform, we’re always performing that which has been performed before, albeit in a slightly different way, if for no other reason than the space and time has disappeared.  In this way, performance is about bringing the past into the present.  It’s about remembering.  Now this remembering is often unconscious.  When the President, for example, gives an inaugural address, he is very clearly calling on the performances of presidents past, restoring the genre of the address but putting his own flair on it.  Now, there’s no doubt that the whole thing is about pomp and circumstance, but it is a pomp and circumstance that is American.  In this framing of the event, we forget (as a public) that the restored behavior of past president’s is a

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this week on the avant guardian \/\/ london calling!

March 22, 2010
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this week on the avant guardian \/\/ london calling!

Musical reviews were a popular form of entertainment during the first third of the 20th century.  Reviews usually involved a short series of sketches with a variety of comedic and romantic themes running through, but above all they were known for their spectacle.  And really, who doesn’t love a good spectacle!  In 1923, London Calling! premiered at the Duke of York Theater in London, with music and lyrics by Noël Coward.  Though there is little information on the show available (at least that I have been able to find), It seems to be Noël Coward’s first major work as a musician and lyricist and whatever it looked/sounded like, it no doubt influenced his later work. In case you’re not familiar with Coward’s work, he wrote plays and musicals.  Among his most famous works is the play Private Lives in which a divorced couple finds themselves honeymooning with their new respective spouses at the same hotel.  They see each other and hilarity ensues!  And by hilarity I mean they ditch their new spouses, run away to Paris where they fight and fuck all day long.  At least that’s the gist of it.  During World War II, Coward headed up the British

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