Posts Tagged ‘ jazz ’

listen to this\/\/a performance exercise

July 14, 2010
By
this is where the music comes from

Performance art is bad when artifice takes precedence over the performance. At best it’s kitchy and at worsts it’s a waste of everyone’s time.  Artifice: a manufactured thing. Performance implies a body, moving and engaged. The thing made should not come before the body, the thing making. The general (the body) should always come before the descriptive. Otherwise the audience is left bored or confused. Previously I talked about the importance of sight and perception in creating/experiencing performance. As someone who sings like an amputee, I often run the risk of forgetting my voice and relying on other media to express what I want the audience to experience. I remedy this by recording sounds with my pen. It usually looks something like this: (tilt head at a 45 degree angle and shake slightly and sporadically) ker-ush-sehkrgsh kerkirkersh That was the sound that my feet make as they climb up a rocky path. That’s my sound of summer.  Now, if we listen at any given moment of our day, we will find an endless number of sounds, all of which can be recreated more or less accurately using only our body. However, this requires a great deal of commitment and concentration.

Read more »

take the corporate option and shove it\/\/the 2010 vision festival unleashes the creative option

June 5, 2010
By
take the corporate option and shove it\/\/the 2010 vision festival unleashes the creative option

Muhal Richard Abrams is to jazz like Ché Guevera was to revolution.  He never stops moving and he never stops imagining and striving towards the impossible.  It’s no wonder then that Abrams life work will be celebrated at this years Vision Festival.  For the last 15 years the Vision Festival has celebrated jazz greats while at the same time creating a venue that encourages pushing the boundaries of what is possible in jazz performance.  Over the course of his life, Abrams has worked as a performer, educator, composer and advocate for jazz music. For me, jazz stands as the paradigm for revolutionary performance.  As Terry Eagleton notes, “though each performer contributes to the greater good of the whole, does so not by some grim-lipped self sacrifice, but simply by expressing .”  By becoming better at the thing love, the jazz artist learns from and enhances the abilities of co-performers.  If this isn’t a model for revolutionary activity, I don’t know what is!  A revolution occurs not because one person decides a revolution should occur, but because a group of people are driven to see the world as it might be, and not as it is.  One person

Read more »

this week on the avant guardian\/\/say it without saying it

May 24, 2010
By
this week on the avant guardian\/\/say it without saying it

Three times I lay the kingly wig on him, And thrice did he put it down. Was this the move of a greedy hipster? - Lord Buckley Photo Credit: Louis Panassié

Read more »