art

harry potterbuster

July 5, 2010
By
shu harry potter

7 Harry Potter and the Philosopher’s Stone $974,733,550 + 9 Harry Potter and the Order of the Phoenix $938,212,738 + 10 Harry Potter and the Half-Blood Prince $933,959,197 + 15 Harry Potter and the Goblet of Fire $895,921,036 + 18 Harry Potter and the Chamber of Secrets $878,643,482 = shu! All rights are the artist’s.

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cinnamon sculpture

June 22, 2010
By
cinnamon sculpture

Print available, in various sizes, upon request.

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the creative life

June 14, 2010
By
the creative life

All rights are the artist’s. Watercolor on paper. If interested in purchasing contact avantorb@gmail.com

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the sleep of ondine

June 1, 2010
By
the sleep of ondine

Print available here.

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an economy of verbiage

May 25, 2010
By
an economy of verbiage

Kate. Print available here.

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time is the greatest innovator

May 18, 2010
By
time is the greatest innovator

Seats in an empty agora: the future was too bright, and we didn’t have shades! Print available here.

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nonferrous bueller

May 4, 2010
By
nonferrous bueller

Available as a series of three prints here.

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cultivated finity

April 27, 2010
By
cultivated finity

“He who does not grasp the inner principles of created beings fails to feast his intellect on the manifold wisdom of God.” ~ St Maximos the Confessor (Available as a print here.)

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the trolley stop

April 20, 2010
By
the trolley stop

Downtown Memphis, Tennessee, where the fountains come out of the sidewalk. Print available here (larger image). Alien autopsy: 1st layer, square crop from larger image, shot in RAW, increased saturation in RAW converter to leave more “room” to work in with regard to color channel mixer, 100% red, set to monochrome, mixed down with Hard Light blending mode, then selectively brushed out in a few areas color balance, set to “preserve luminosity”: shadows +15 Cyan/Red, -20 Yellow/Blue; midtones +13 Cyan/Red, +3 Magenta/Green, -37 Yellow/Blue; highlights +44 Yellow/Blue; mixed down using Linear Light blending mode, set layer mask to “hide all” then only selectively brushed back on in order increase contrast and saturation in “heads” of fountains color gradient, gunmetal blue at bottom to tan at top, brushed out in select areas, blended down with Pin Light (it’s the pin light mixing mode with this layer which gives the image it’s almost polaroidish feel in places; the same is generally true of a carefully-chosen solid color or gradient fill layer with almost any image) another color gradient, light tan to brown, then punched a hole in the center with a 250 pixel feather in order to create a vignette effect, set

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styx down

April 13, 2010
By
styx down

Available as a print – see here for details.

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