Monthly Archives: October 2008

Grad Student Makes Good with New Line for K-Swiss

October 29, 2008
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Grad Student Makes Good with New Line for K-Swiss

For her graduation project at Central Saint Martins, Julia Hederus used inspiration from Legos in the menswear line she produced for London Fashion Week 2007.  The clothes were block-shaped and glued together. She then approached K-Swiss to collaborate on a line of block fetish footwear, which debuted this fall. “Shoes are very different from clothes,” she says, “and architecture has always been a great inspiration to me in fashion. So designing trainers feels even more natural. I often imagine very complex and futuristic shapes.” The result of Julia’s fascination with blocks and architecture has resulted in sneakers that meld modernist hard edges with the soft soles of sneakers.There are three styles in the line. Cubes, a classic low-top K-Swiss with the twist of square leather tabs protruding from the shoe, is the most basic. Blocks takes the aesthetic further in a low-top with velcro closure blocks that can be added at the wearers discretion. The high-blocks are my favorite, a non-clunky, streamlined high-top with blocks velcro closure. The minimal tastefulness of the shoes is hard to resist, and their K-Swiss comfort makes it even harder. The Hederus line for K-Swiss retails for $130-$195 and is available at www.oki-ni.com.  

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Don’t Call It Fashion: Uncommon Thread Wearable Art (Fashion?) Show

October 28, 2008
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Don’t Call It Fashion: Uncommon Thread Wearable Art (Fashion?) Show

The art and fashion worlds collided in Baton Rouge’s own Uncommon Thread Wearable Art Show.  1,500 of Louisiana’s finest attended this landmark event on October 18th at the Louisiana State Museum.  Although originally intended as a conceptual competition targeting artists across all genres, it was undoubtedly the fashion event of the year for Baton Rouge.  With 41 original pieces from 38 designers around Baton Rouge and the nation, Uncommon Thread showcased the best in wearable art and fashion. The brainchild of Culture Candy’s Erin Rolfs, the event was a multi-faceted, multi-media event.  Strains of the ethereal Louisiana State Museum Gospel Choir were heard alongside the modern electronic set performed by DJ Otto.  Sinewy dancers moved across the museum’s makeshift runway under the direction of Micaela Marchand Conor, as models paraded the intrepid creations of local and national artists.  The audience pressed tightly against the limits of the walkway, with just enough room for the models to pass, tickling the noses of spectators with a peacock feather or stray bit of silk. The show kicked off with the work of Sarah Wheelcock, an electric blue evening gown with a box-shaped skirt.  The piece, entitled, “Dress for a Homeless Woman”, was inspired [...]

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Curtsy: A Behind-the Design Look at Grace Duval Johnston’s “Exoskeleton”

October 28, 2008
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Curtsy: A Behind-the Design Look at Grace Duval Johnston’s “Exoskeleton”

Grace Johnston began her college career as a fashion design student at Virginia Commonwealth University. But, she says, “I transferred out of the Fashion Design department because I felt that it limited my creative abilities. I guess I see myself more as an artist than a fashion designer, though I make clothing all the time and have since I was ten. Clothing, garments, and the body are my main focus here in the sculpture department. I want people to see clothing as art, not just something that you wear to cover yourself.” And, as the first-place winner of this year’s Uncommon Thread Wearable Art Show she did just that.  The show featured two entries by Grace: “X-Travagant X-pansionism”, a snug, floor-length gown with a retractable peacock bustle inspired by Marie Antoinette, and the winner, “Curtsy: Exoskeleton”, a short, hourglass-shaped frock constructed of wooden hoops with a lifting mechanism.  Though the “peacock dress”, as Grace refers to it, has won prizes in the past, the “curtsy dress” is actually an artistic mistake reworked for entry into Uncommon Thread.   “I wasn’t pleased with the project,” says Johnston, “because it was just an inanimate object, not something that actually served a purpose.  [...]

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the avant guardian has arrived.

October 22, 2008
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dedicated to protecting and promoting design on the edge.

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